Courtroom Concert: Cléa Galhano, recorder; Tulio Rondòn, cello; Tim Lovelace, piano

Hosted by composer Abbie Betinis, our popular Courtroom Concerts take place at noon most Thursdays in the Landmark Center in downtown Saint Paul. This series features accomplished musicians and composers from the Twin Cities and surrounding area, as well as occasional musical newcomers to the area. These one-hour concerts are free and open to the public.

About the Artists:

Brazilian recorder player Cléa Galhano is an internationally renowned performer of early, contemporary and Brazilian music. Galhano has performed in the United States, Canada, South America and Europe as a chamber musician, collaborating with recorder player Marion Verbruggen, Jacques Ogg, Belladonna Baroque Quartet and Kingsbury Ensemble.

As a featured soloist, Galhano has worked with the Saint Paul Chamber Orchestra, New World Symphony, Musical Offering and Lyra Baroque Orchestra. Galhano studied in Brazil at Faculdade Santa Marcelina, the Royal Conservatory,The Hague, and the New England Conservatory of Music in Boston, as a Fulbright Scholar. She is the Music Director of the Recorder Orchestra of the Midwest. Ms. Galhano recently received the prestigious McKnight fellowship award, MSAB Cultural collaborative and MSAB Arts Initiative.

Currently, she is a faculty member at Macalester College, Adjunct Lecturer in Music, Recorder, and Coordinator of the HPI Academy at Jacobs School of Music, IN.

Ms. Galhano has eight recordings available on Dorian, Ten Thousand Lakes and Eldorado label. Clea is  the recipient of the National Arts Associate of Sigma Alpha Iota and the American Recorder Society President’s Special Honor Award.

Cellist and Gambist Tulio Rondón performs throughout North and South America, Europe, Asia, and the Middle East as a soloist and chamber musician. Known for his vivid and passionate performances, he started his professional life early as principal cellist of the Aragua Symphony Orchestra in Venezuela. Tulio Rondón’s performance career has taken him all over the world, sharing the stage with many internationally celebrated artists. Born in Venezuela, Tulio Rondón began his cello studies through El Sistema. He received his Bachelor of Music from the Simón Bolivar Conservatory, his Master of Music from Miami University (Oxford, OH), and Doctoral Degree in performance at the University of Arizona. Pursuing his strong interest in historic performance practice, he continued his studies in The Netherlands, completing post-graduate studies on baroque cello and viola da gamba with Jaap ter Linden and Rainer Zipperling at The Royal Conservatory in The Hague. Tulio Rondón is in demand as a chamber musician and early music specialist. Currently Tulio Rondón is the violoncello professor at the University of Wisconsin – Eau Claire.

Pianist and conductor Timothy Lovelace has performed on four continents and has been featured at Carnegie’s Weill Recital Hall, New York’s Merkin Concert Hall, Philadelphia’s Trinity Center, Columbia University’s Miller Theatre, Chicago’s Dame Myra Hess Memorial Concerts and on chamber music series sponsored by the symphony orchestras of Chicago, Cincinnati, Detroit, Minnesota, and the Saint Paul Chamber Orchestra. The roster of internationally-known artists with whom Lovelace has appeared includes Miriam Fried, Alban Gerhardt, Nobuko Imai, Robert Mann, Charles Neidich, Paul Neubauer, Ayano Ninomiya, Paquito D’Rivera, and Dawn Upshaw. He has also concertized with the Bergen Woodwind Quintet and the Pacifica String Quartet. As a soloist, he performed Messiaen’s Oiseaux exotiques on subscription series concerts of the Minnesota Orchestra conducted by Osmo Vänskä.

For thirteen years, Lovelace was a staff pianist at the Ravinia Festival’s Steans Institute, where he played in the classes of Barbara Bonney, Christoph Eschenbach, Thomas Hampson, Christa Ludwig and Yo-Yo Ma, among others. Other professional staff pianist engagements include two International Double Reed Society conferences, two International Viola Congresses, the ClarinetFest of The International Clarinet Association, and The Wideman International Piano Competition.

A proponent of new music, Lovelace has performed under the supervision of composers Elliott Carter, John Corigliano, Steve Heitzeg, Andrew Imbrie, Leon Kirchner, Libby Larsen, Lowell Liebermann, Thea Musgrave, Gunther Schuller, Stanislaw Skrowaczewski, David Evan Thomas, Dan Welcher, and Judith Zaimont, and he presented the world premiere of Osvaldo Golijov’s Third World.

“The superb collaborations of pianist Timothy Lovelace can’t be understated,” wrote Gramophone magazine in praise of Forgotten Romance, one of two Lovelace recordings on the Albany label. The American Record Guide declared his performance of Loeffler’s Rhapsodies on the Boston Records CD …is but a dream “the very best I have ever heard. Anyone wanting a definitive modern recording of this work need look no further.” Lovelace has received similarly positive reviews in recent recordings on the Blue Griffin and MSR labels.

As a conductor, Lovelace has led numerous operatic and symphonic ensembles. At the University of Minnesota, he has conducted productions of The Seven Deadly Sins, Suor Angelica, and La Voix humaine.

Timothy Lovelace holds the Ethel Alice Hitchcock Chair in Collaborative Piano and Coaching at the University of Minnesota. He previously taught at The University of Texas at Austin, the University of Wisconsin Oshkosh, the University of Wisconsin-Platteville, the Green Lake Chamber Music Camp, and The Madeline Island Music Camp. His principal teachers were Pat Curtis, Harold Evans, Clifford Herzer, Gilbert Kalish, Donna Loewy, and Frank Weinstock. He studied at the University of Cincinnati College-Conservatory of Music, Stony Brook University, and the Aspen and Eastern Music Festivals.